Why I Do This THIS WAY....

Good Evening from FIGHTING-OFF ILLNESS IN PHILADELPHIA!

Today Chris Miller posted a youtube where he talks about the bigotry in the White American Sci-Fi Fantasy Community. Now, me personally? I was actually kind of surprised to hear him talk the way he talked, because I thought he was actually more hip to the game in regards to you talk that talk, makes great PR. But you walk another walk when you're not really accustomed to your former slaves being able to honestly get in on what you're talking about and then start contributing and then EXPECTING some type of fair exchange and recognition for their achievements in the field.

Look?

You can read this and believe whatever you wish. You can think whatever you wish, about what I have decided to say here and how I choose to say and so-on-&-so-forth, but here is the fact. I have decided that THIS IS THE WAY I WANT TO DO THINGS. Thus I CONTROL CONTENT HERE. I talk about what I want, when I want, how I want, why I want, where I want to talk about it. It is about me having control over this blogsite and constantly seeking to expand my control over my own content and give myself THE FREEDOM TO SPEAK FREELY.

You can only do these things when YOU OWN IT. Yes I know blogger has its own rules and if I violate whatever those rules and regulations are then I am subject to whatever punishments, BUT!?!?! Beyond that? I control everything else. Chris really gets into the guts of things in this youtube, but for me? It's like Chris is moving in slow-motion, because Me and My People had this conversation way back in 8TH AND 9TH GRADE. And the first thing that was brought up by the Black comic book lovers and sci-fi fans is;

We are not geeks.
And we were not geeks.
Our social skills were VERY GOOD. We knew how to pick-up girls and date them. BUT MOST OF ALL, we looked at the various comic books and tied them INTO REAL LIFE ISSUES. We didn't just enjoy the fantasy for that moment and then not look at the fact that;

"Yo? Fuckin Scott Summers is fuckin full-a-shit. This muthafucka went on ahead, married Madelyn Pryor, then soon as Jean Grey came back to life, with that bullshit. He then PROMPTLY ABANDONS HER! That's bullshit, man! Plus she was pregnant with his fuckin baby and he still skated out on her, what the fuck!?"
Now mind you, this is a White American comic book franchise, THE LEGENDARY X-MEN, movies galore and all that other bullshit, BUT!? In the actual comic book, Scott Summers ABANDONS HIS WIFE WHILE PREGNANT TO GO CHEAT ON HER WITH HIS OLD WOMAN WHO HE THOUGHT WAS DEAD!

Now?
This entire storyline in the late 80's, early 90's where Jean Grey was BROUGHT BACK TO LIFE, ay? Fine, that's what you wanna do, DO IT! But once you start INTENTIONALLY FUCKING OVER OTHER CHARACTERS WITHIN THE STORYLINE TO PUSH YOUR SHITTY-OBJECTIVE!? Yo?
Fuck you.
Straight-up.
Fuck you. And fuck your so-called comic book, storybook, ebook, movie, whatever. As a viewer or reader, I DO NOT WANNA SEE THE HAND OF THE WRITER, DIRECTOR, COMPANY OR WHATEVER!? Directly MEDDLING WITH WHAT I AM TRYING TO ENJOY! Once that happens, I'm not trying to get back into it. I'm not trying to IGNORE the fact that you've INTENTIONALLY RIGGED SHIT, I'm done. And for us?

X-Factor came out in 1986 and they brought back Jean Grey who had died in 1980. Matter of fact, here, lemme just copy and paste this shit for you, because I'm too fucked up to type all of this out as it is;

Original team (1986-1991)

X-Factor launched in 1986 featuring an eponymous team composed of the five original X-Men that debuted in X-Men #1 (1963):

• Angel - A millionaire heir, capable of flight by means of two feathery wings extending from his back.
• Beast - A brilliant scientist possessing bestial strength and agility.
• Cyclops - Former X-Men team leader, with the ability to emit powerful "optic blasts" from his eyes.
• Jean Grey (Marvel Girl) - The long-time love of Cyclops, possessing telekinetic abilities.
• Iceman - A brash jokester, gifted with cryokinetic abilities.

The founding of X-Factor hinged upon the reunion of the original X-Men, an event complicated by the extensive histories of the characters following the initiation of a new team of X-Men in 1975.

In the 1970s and early 1980s, Angel, Beast, and Iceman wandered through various superhero teams. By 1985, all three were members of the Defenders, whose monthly series was shortly canceled, which freed the trio.

A more difficult task was the return of Cyclops and Jean Grey. In 1980, Jean Grey was killed during the seminal Dark Phoenix Saga, and was not originally conceived in the team's female role, with fellow mutant Dazzler as the front-runner for that part.^[1] However, writer Kurt Busiek suggested a way to add Jean Grey to the roster that became one of the most significant cases of retconning in comic book history: Jean Grey had never actually been the Phoenix. Instead, the Phoenix entity copied Grey's identity and form, keeping her safe in a cocoon-like structure beneath Jamaica Bay. Busiek related the idea to Roger Stern, who related it to John Byrne.^[2] Byrne wrote and illustrated Fantastic Four #286 (1985), incorporating Busiek's idea.

In order to join the team, Cyclops walked out on his new wife Madelyne Pryor, an Alaskan pilot who bore a strange resemblance to Grey, and their infant son, Nathan Christopher. These events, along with the resurrection of Grey in general, were highly controversial with fans.

The original X-Men disassociate with the current team because Professor X had placed their old nemesis, Magneto, as its leader. The five original members set up a business advertised as mutant-hunters for hire, headquartered in the TriBeCa neighborhood of downtown New York City,^[3] posing as "normal" (non-superpowered) humans to their clients. The mutants that X-Factor capture are secretly trained to control their powers and reintegrated into society. 

So now, LOOK AT THAT SHIT!? All of a sudden, the dude who SKATES ON HIS PREGNANT WIFE HAS ISSUES WITH MAGNETO BEING IN CHARGE OF THE X-MEN, WHEN I WAS LIKE;

"Now this? Was DEFINITELY WRITTEN BY WHITE PEOPLE." how the fuck can a DEADBEAT ABSENTEE, INTENTIONALLY ABSENTEE DAD! OPEN HIS FUCKIN MOUTH! And that fuckin wiki talks about it was highly controversial with the fans, FUCK OUTTA HERE! The White Fans were like;
"OH WELL, FUCK WHATEVER MESSAGE THIS SENDS TO READERS! JEAN AND SCOTT ARE BACK TOGETHER, WOOOOOOOOOO-WHOOOOOOOOOOOOO!!!!!!!!!!" so if you are wondering WHY Black Americans GET ANGRY about the BULLSHIT that White Americans TALK ABOUT AND DO, THIS IS JUST ANOTHER PIECE OF EVIDENCE ON WHY IT HAPPENS. Because Whites will talk that MORAL HIGH-GROUND SHIT, till they're looking for A FRESH PIECE A PUSSY TO FUCK! Or some new DICK TO RIDE! YEE-HAW! The hypocrisy becomes unbearable, HOWEVER!?

Like I've said before though? This only becomes a STICKING POINT, because MY OWN PEOPLE ARE NOT INVESTING IN OURSELVES! So that we have OUR OWN COMICS. Our own MEDIA-MEDIUMS, etc! By doing that we can then SIMPLY IGNORE whatever the LATEST WHITE LIE-N-TREND IS. Also, one thing I have seen from my own times of being independent and self-sufficient is that WHITES THEMSELVES will go on ahead and compare-contrast and those who who see that what Me-&-Mine have or have had is better? Then they will WILLINGLY GET UP, and leave the White Community or Forums or Fandoms and SWITCH to the Black Community, Forums and Fandoms. These things happen when Whites who honestly believe that they have a better chance at creating characters and concepts FOR THE SAKE OF CREATING characters and concepts without BULLSHIT from their White Employers, they will willingly and have willingly left from White Groups and honestly joined Black Groups. This however is ANOTHER REASON WHY White Americans in particular attempt to keep us confined and limited, frustrated, and off-balance. Because with NO STABLE BLACK COMMUNITY, then it means NO STABLE BLACK COMPETITION, which also means they don't have to worry about ever losing any White Talent to Black People.

It was THE RACE FACTOR, YEAHHHHHHHHHHHHHH! THE RACE CARD, BABY! And the reality of race, that insulated MYSELF and the other Black students from ever wanting to be COMPARED OR CALLED, geeks! Because we looked at comic books and saw them for what they were. Underneath all the fantasy and fuckery, the writer is actually showing US, what they think of the real world and how THEY PERCEIVE IT. And don't worry, an Age of Ultron review... IS COMING...!

We did not and DO NOT TOLERATE BEING LABELLED AS GEEKS, BECAUSE IT IS AN INSULT.
I could care less that supposedly "Geek Culture" is acceptable. That is no different than the fad where comic books became INVESTMENTS IN THE 90'S. Where millionaires and non-comic book fans were INVESTING IN COMIC BOOKS and by default, destroying the comic book industry, because NONE OF THESE PEOPLE WERE ACTUAL COMIC BOOK FANS. They were profiteers and culture-vultures trying to cash-in because a Spider-man Comic sold for 1,000's of USD! Or Superman #-whatever sold for 1,000's USD! It started a STAMPEDE by people who didn't give 2-FUCKS ABOUT COMIC BOOKS OR THE COMIC BOOK INDUSTRY and I warned that these fools would cause a massive driving up of comic book prices and all kinds of garbage would start getting printed and called collector's issues and items. Because the comic book industry would try to cash-in on the culture-vultures, instead of saying, let's just back away from this and come out PUBLICLY and tell these frauds to FALL BACK.

Instead they tried to cash-in and they went along with it and the White American Comic Book Industry was nearly destroyed by it. When you go along with things to try to GET OVER, it doesn't matter what race or what place you live in, it never ends well, FOR THE MOST PART. And I say, for the most part, because if you have either excess resources and opportunities, or? You are driven and can get back up on your feet again and survive being wiped out, then? Those are two ways that you can survive making the bad judgment of simply going along to get along simply to GET OVER. Here is Chris Miller;